Take a spin on the Wheel of Judgement! Review

Take a spin on the Wheel of Judgement!

At the turn of the 20th century, regions of China have been taken over by Japan.

Yet in the shadows, dark forces seek to wrest even greater power from the life

of a young magical girl named Alice Elliot. You play the part of Yuri Hyuga, and

you must protect Alice at all costs. Indeed, everything from the Japanese army

to demons and warlocks wants young Miss Elliot and her strange, awful powers,

and of course the fate of the world hangs in the balance.

Shadow Hearts deserves a photo next to the Dictionary’s entry for “macabre.”

This is a game where it isn’t uncommon to find yourself in a foggy mist of crimson

blood, nor is it strange to have demons running amuck just causing all sorts

of havoc.

The game is at its most interesting when it reaches for the unconventional.

How often do you get to play through an alternate-universe China filled with

denizens of both the underworld and Victorian Europe? The modern writing is

above average and is one of the highlights of the game. Despite the fact that

you can tell how things are going to play out, you still find yourself interested

in the details of how it’s going to happen.

Shadow Hearts features a classic turn-based combat system with three

active players, but there’s a twist. The fate of each and every turn is dictated

by the insidious Judgement Ring. Cue the spooky bass line.

The Judgement Ring is a dial that spins a single revolution. As the dial goes

through its cycle, you must press the button when the hand is in a highlighted

area. For example, an attack has three slices of yellow highlights. Each time

the hand is in one of those yellow slices, you hit the button.

Often, each highlighted area has a small section tinged with red. If you manage

to hit it in the red, you can eke out some stronger attacks. Every character

has a different timing rhythm for variation. Some enemies even have the ability

to increase the speed of your dial or to shorten the highlighted areas.

Unfortunately, the Judgment ring is used for damn near everything. Want to

use an item? Take a spin. Want to get a discount at the store? Spin that wheel.

Open a tightly shut door? Someone get Pat Sajak. It’s too bad they use it so

much, because it would have been great in small doses. The game rests almost

completely upon the precision of your timing with the ring.

In an effort to instill some balance, a Spirit meter depletes with every turn.

When a character runs out of Spirit, he goes ‘Berserk’ and starts indiscriminately

making his own moves. Other characters will have to step in and use their turns

to refill the crazy character’s SP meter.

Though

this battle system is interesting, it’s also very confusing, straddling the

line between action and strategy. It really ought to just make up its mind –

either have more action beyond a finger timing exercise or push the strategy

end a little more. Instead, the indecision makes for gameplay that is merely

decent and grows tiring.

To add some more depth, there’s an alternate use for the Spirit meter. Yuri

has the power of “fusion,” allowing him to call upon the demons in a hocus pocus

of transfiguration. This is Shadow Heart‘s version of summoning.

In order to gain more Fusion Demons, Yuri can traverse the mortal plane to

the “Graveyard” at save points. In the graveyard, Yuri can also quiet the malice

that builds up whenever he fights. Basically, Yuri has to take frequent trips

to the graveyard to chill out, which only manages to break up the flow of the

game. It’s like he has to take bathroom breaks or something.

The graphics are lacking, just a touch better than something you’d find on

the PSOne. Static, pre-rendered backgrounds are overlaid with poorly textured,

polygonal characters. While most of the environments capture an otherworldly

creepiness mixed with an Eastern flair, some of the backgrounds look like amateur

hour at the environment-modeling facility. This just doesn’t hold a candle to

a beauty like FFX.

The music fits the nature of the game very well, filled with distressed wails

and a moody zither. There’s a scant few voices for the major scenes. The Asian

accent inflections actually turn out well, but it’s hardly high-caliber voice

acting.

Shadow Hearts is just not very exciting. The combat can’t find a comfortable

medium between action and strategy. Graphically, it’s somewhere between PSOne

and PS2. As a story, Shadow Hearts would have made a great anime series,

but instead, it comes out as only an average game. Great for Vanna White, though.